Faye Corthésy is a doctoral student and lecturer in film history at the University of Lausanne. She is completing a thesis on the transnational circulation of New American Cinema films in the 1960s. Her future research focuses on the links between prison and cinema, and the abolitionist imaginary. She co-founded the ciné-club contre-feux in Lausanne, and works occasionally as a cultural mediator and programmer. She currently works as an editor at the HEAD Publications Office and is … → See profil

Né 1988 à Genève. Il fait ses études entre 2013 et 2016 au Département Cinéma de la HEAD-Genève (Haute école d’art et de design - Genève). Depuis 2016, Fulvio travaille comme réalisateur, assistant réalisation et ingénieur du son. → See profil

Born in 1979 in Aulnay-sous-Bois, France, Alice Diop fell into documentaries through no fault of her own. It was a happy encounter with a documentary by Eliane de Latour that made her realize the power of the messages that can be conveyed in documentaries, and the possibility of combining a sociological perspective with cinematic treatment. Alice is interested in those we don’t see, she tells the story of cultural diversity. For Alice Diop, making a good documentary means telling … → See profil

Philippe Ciompi is a film mixer and sound designer based in London. Trained notably at NFTS in London, he collaborates and radiates in Europe and beyond. He works with many directors whose artistic research and aesthetics fascinate him, such as Ben Rivers & Ben Russell or Andrew Kötting in Great Britain, Sarah Vanagt in Belgium, Xiaolu Guo in China, Basil da Cunha in Switzerland, and many others, creating new sound worlds that resonate with each project. → See profil

After studying philosophy and performing arts at Nanterre University, Marine Chiu joined the editing department of the Fémis film school, where she edited and directed short films. She left for Taiwan to intern with editor Mathieu Laclau, where she stayed to shoot her graduation film. On her return to France, she won the best editing prize at several festivals for the film Martien (Maxime Pillonel) and worked as an editor with Barbara Balestas Kazazian, Negin Khazaee, Frédéric Bayer-Azem and … → See profil

Kenza Barrah began casting in 2015, specializing in wild casting. She has worked with Jan Kounen, Maïté Sonnet, Maïmouna Doucouré, Onur Tukel, William Laboury, Atsushi Wada, Félix de Givry and Valentin Noujaïm, among others. In 2021, Kenza Barrah met Nawell Madani and was cast in the Netflix series, Jusqu’ici tout va bien , produced by Elephant Story and Black Barbie, broadcast in 2023. She has taken part as a speaker in several Masterclasses Cinéma, notably alongside Frédéric Farrucci … → See profil