Kirsten Johnson studied Literature at Brown University before graduating from La Fémis. After two short films (dealing with female circumcision - Bintou in Paris (1995) and American surveillance in Afghanistan - The Above (2015)) and two feature films focusing on the American justice system ( Deadline (2004) and Innocent Until Proven Guilty (1999)), she achieved international recognition with Cameraperson (2016), which premiered at Sundance, was shortlisted for the Oscars and won three Cinema … → See profil

After studying philosophy and performing arts at Nanterre University, Marine Chiu joined the editing department of the Fémis film school, where she edited and directed short films. She left for Taiwan to intern with editor Mathieu Laclau, where she stayed to shoot her graduation film. On her return to France, she won the best editing prize at several festivals for the film Martien (Maxime Pillonel) and worked as an editor with Barbara Balestas Kazazian, Negin Khazaee, Frédéric Bayer-Azem and … → See profil

Aël Dallier Vega grew up between Guyana, Mali, the West Indies, France and England. After studying film theory in Paris, she learned editing at the EICTV in Cuba. Since 2004, she has edited numerous short films, feature films, fictions and documentaries. In 2019, she edited the film Atlantique by Mati Diop, which won the Grand Prix at the Cannes Film Festival. → See profil

Née en 1982, Danielle Lessovitz est une réalisatrice et scénariste basée à Brooklyn, New York. Elle a étudié le film documentaire à Northwestern University et les beaux-arts à New York University Tisch School of the Arts. Elle enseigne désormais à Rutgers University.Sa pratique oscille entre la réalisation de films et la conception d’installations artistiques ou vidéo. Ses projets traitent principalement des communautés marginalisées et elle y inclut souvent des act.eur.rices … → See profil